Mark's Gibberish Treatment.

The bollocks:

Mike Nelson strategically places objects in order to create an effect on the beholder. The mood of being with the work first-hand is the only true effect - you have to have met it first hand. The photographs are flat and only show one two-dimentional, second-hand view of a three-dimentional document of a past experience of a work. However, these can be trusted enough as a version of events because they are a visual solid, an undeniable object. Even if you are deceived, if someone pretends that the subject of the photo is really the art of English artist Mike Nelson. Even if you question the meaning of each and every word in that statement. Full sentense = statement. Nelson's lifestyle artefacts create ghost characters in the minds of the human individuals who make up the audience as a result of the human tendency to connect the 'evidence' - the authentic-feeling existential information of an imagined figure. Nelson is a physical symbolist. 3D suggestion in a specific space.

The books:
Extinction Beckons is nice and useful and I will be using it nicely.
A Forgotten Kingdom is reliant upon its exhibition host.

The bye:
Bye.